"When I learned about improvisation from Anna, it was like receiving the other half of the hemisphere. Without improvisation I would not have developed the work that I'm doing."aTrisha Brown"Anna Halprinawho, with her husband, the architect Lawrence Halprin, is considered to be the wellspring of what we call postmodern danceahas spent most of her long life shattering rules, conventions, expectations, and long-cherished ideals like so many porcelain teacups. . . . In this new cultural history and intellectual biography, Janice Ross has unscrolled a storyawith her subject's full collaborationathat continuously reveals and surprises. It is a groundbreaking achievement in dance scholarship, commensurate with the work of Sally Banes, the scholar of postmodern dance to whom this book is affectionately dedicated."aMindy Aloff, author of "Dance Anecdotes""This book is an eye-opener. It is fascinating to learn about the different creative periods in Anna Halprin's life, from her involvement with Jewish identity and culture, dance education, and Bauhaus emigres in the thirties and forties to her relationship with the Beat poets in San Francisco, her influential summer workshops, and her exploration of ritual and performance from the fifties to the present."aMark Franko, author of "Excursion for Miracles: Paul Sanasardo, Donya Feuer and Studio for Dance (1955-1964)""Janice Ross has done a masterful job of capturing the life, work, and impact of the little midwestern woman whose influence shaped the dance revolutions of the 1960s and 1970s, and whose greatest accomplishment may have been 'finding dance culture where no one else had looked.' Ross illuminates the West Coast roots of postmodernism, and outlines Halprin's accomplishments as a healer, which are still accruing after more than sixty years."aElizabeth Zimmer, dance critic and editor
