This collection of papers provides a synoptic view of the relationship between music, theology and Christian learning. It includes theological reflections on the nature and power of the musical experience, together with psychological, philosophical and educational perspectives; and draws on practical experience and empirical research. Topics covered include: Composing, performing and listening; worship and hymnody; classical music and jazz; Christian theology and spirituality; aesthetics, education and learning, and the psychology of music. Contributors include: James MacMillan, Martin Haselbock, Jeremy Begbie, John Sloboda, Bill Hall, Ian Ground, Michael Sadgrove
